Written by a team of experts, this Companion discusses Cage’s background, his work, and its performance and reception, providing in sum a fully rounded portrait of a fascinating figure. Besides composing around 300 works, he was also a prolific performer, writer, poet, and visual artist. ![]() This book celebrates the richness and diversity of Cage’s achievements – the development of the prepared piano and of the percussion orchestra, the adoption of chance and of indeterminacy, the employment of electronic resources and of graphic notation, and the questioning of the most fundamental tenets of western art music. Pupil of Schoenberg, Henry Cowell, Marcel Duchamp, and Daisetz Teitaro Suzuki among others, he spent much of his career in pursuit of an unusual goal: “giving up control so that sounds can be sounds,” as he put it. The Cambridge Companion to John Cage John Cage (1912–1992) was without doubt one of the most important and influential figures in twentieth-century music. No escape from heaven: John Cage as father figure Kyle Gann Endnotes Bibliography Index. Cage and postmodernism Alastair Williams 14. Music II: from the late 1960s William Brooks Part III. ![]() Towards infinity: Cage in the 1950s and 1960s David Nicholls 7. Cage and Asia: history and sources David W. Table of contents : List of illustrations Notes on contributors Preface Acknowledgements Chronology Part I.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |